The drawings were recetny redesicovered, porbably, they date from around 2004. They were sudden exploration of form in a folded piece of thin vellum with oilstick and trupentine, done just to kill anxiety and time. 
col:: Adalberto Adame
col:: Adalberto Adame
folded drawings
side tracking on old ideas
The "welcoming turtle" comes alive.
C:: Henry Lange
All the characters become sculptures in iron. The working drawings, burnt and painted,hang behind.
C:: Irene and William Audet
"the reptile", PRIDE, SERENITY AND CONFIDENCE, 2007, 48" x 36"
character based on Baja California's cave paintings.
by the marina
With the intention to go larger in scale, here is a fishing boat by the marina floating on the calm waters. Interpretation of the buyers but the previous pieces had conceptually shaped the rectangular form as a "boat". Also, this composition originated with a drawing of one of the characters, the turtle, of the cave paintings I tried to explore.
Collection: G & G Horning
using the remanents of the local land/seascape
The composition structure of the previous paintings shifted from two elements, side by side, to one body taking all the attention. Maybe a result of the brief explorations in rectangular formats. Or maybe due to a a small angle shift in the perspective. From looking in between two, no the focus is on the personality of one.
URCHING IN PINK, 2007, 12" x 12"
The precedents, brief assemblage gestures with found objects and minimum paint, 5" x 10" and 5" x 4".
Brief assemblage gestures with found objects and minimum paint.
in proximity CSL
The continuity of this series and the presence of new surroundings, a growing town by the sea--Cabo San Lucas, brings back found materials (abandoned in 1998)into the composition. All collage and oil on plywood, 12" X 12".
2006 collection: John Miller
2006 collection: G & G Horning
windows 12-05
These pieces are part of the work that develop the "in proximity" series. The two adjacent shapes start to define. The are oils of 15 cm by 15 cm in 1/2 inch plywood.
C:: Tica Alvarez
C:: Tica Alvarez
C:: Tica Alvarez
Artist collection
daily still lifes, 2005
Small oils on plywood (4 by 6 inches) reflecting upon breakfast time and the necessary igredients and gadgets to enjoy it.
C:: Kim Brockinton
C:: Daniel Rubin
in proximity
a series of oil paintings on 3/4 plywood measuring 30 x 30 cm. They emerged from the exploration of color lines that recapture my textile tradition, looms, warps, plaids. 
private collection
private collection
2004 collection: Jeff Frank
2005 collection: George & Ginny Horning
2005 collection: Joy Moser
2005-2006 collection: John Miller
the origin of "in proximity"
Three of many small explorations, measuring around 3 by 5 inches, later becomes "the painting" a blue print for the series "in proximity".
2004 collection: Scott Howe
2004 collection: Daniel Serig
three large drawings, 2003
charcoal drawing on poster paper, 115 x 100 cm
EMBRACE, 2003
EL PENSADOR
C:: Daniel Langarica
PECHOS
C:: Artist
intimate moments -drawings
These drawings were done on blue paper with soft pastels and charcoal, 60 cm X 50 cm, in 2002. There were part of 12 similar drawings included in the doctoral exhibition. Teachers College Columbia University bought eight of them and are permanently exhibited in one of their auditoriums, Grace Dodge 177.
sequence
gestation
family
family 2
after the meeting
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