art objects - HUGO ORTEGA LOPEZ: drawings

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folded drawings

The drawings were recetny redesicovered, porbably, they date from around 2004. They were sudden exploration of form in a folded piece of thin vellum with oilstick and trupentine, done just to kill anxiety and time.

col:: Adalberto Adame

col:: Adalberto Adame

three large drawings, 2003

charcoal drawing on poster paper, 115 x 100 cm

EMBRACE, 2003

EL PENSADOR

C:: Daniel Langarica

PECHOS

C:: Artist

the apples

intimate moments -drawings

These drawings were done on blue paper with soft pastels and charcoal, 60 cm X 50 cm, in 2002. There were part of 12 similar drawings included in the doctoral exhibition. Teachers College Columbia University bought eight of them and are permanently exhibited in one of their auditoriums, Grace Dodge 177.

sequence

gestation

family

family 2

after the meeting

HB drawings

A commission by Helen Bostoen, for a gift, generated this series of drawings.

2001 collection of the artist

2001 private collection

2001 private collection

2001 c: Dora Ortega

2001 c: Verónica Ortega

brief bio

Born in 1965 in Mexico City, my interest in aesthetics and composition sparked here and there during childhood and adolescence. My commitment to the production of art and non-functional objects, heavily influence by an abstract mathematical perspective, develop during my undergraduate studies in Industrial Design at the “Universidad Autónoma Metropolitana” in Mexico. In 1993, with a Fulbright scholarship I pursued a Masters in Fine Arts, Fiber Arts, at the Savannah College of Art and Design where I was recipient of the Outstanding Graduate Student Award. There, my creative process mutated from a detailed time consuming textile constructions into an immediate expressive act of mixed media acrylic paintings. After graduation I returned to Mexico where I continued my professional career as a designer, educator and assemblage artist. In 1999 I was awarded with a second Fulbright scholarship to pursue doctoral studies in Art and Art Education at Teachers College Columbia University, in New York City. There, my doctoral investigations have been shaped by what happens in and through studio practice. Currently, my studio practice emerges from the exploration and manipulation of limited material resources. The creative process is based on reiterative cycles of composition in an attempt to evolve artistic forms through a philosophy of proximity and implementation. The strategies of action remain the same across mediums and everyday events.

folded drawings

three large drawings, 2003

the apples

intimate moments -drawings

HB drawings

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brief bio