¨toys and memories of méxico¨
72¨x72¨, 2008
surrounding landscapes, los cabos.
"building by the sea"
oil on plywood, 50 cm x 180 cm, 2008. cmssn:: BA Kline
"icarus by the sea"
oil on plywood, 36" x 48", 2008. c:: Susana & John Shafer
a new series: SEASCAPES
Reflecting by the sea.
SEASCAPE#1, 2007, 12" x 12"
col:: Adaisa Munguia & Pedro Gutierrez
SEASCAPE#2, 2008, 12" x 12"
the ovals
WATER TANK IN RED LANSCAPE, 2007, 36"x 36"
untitled. ¨TABLE TOP BALANCE TOY, 36"x 36"
TRICYCLE, 2007, 36"x 36"
c:: Allison Ewing
architecture...Bunkers and Houses
Oil paintings on "caobilla" thin plywood measuring 36 by 36 inches.
HOUSE WITH RED ENTRANCE, 2007, 36" x 36"
HOUSE WITH GREEN TREE, 2007, 36" x 36"
HOUSE WITH FRUIT TREE, 2007, 36" x 36"
BUNKER, TREE AT BALCONY, 2007, 36" x 36"
PATTERNS OF MOTION
Repetitive forms in drawing and painting. Various dimensions, maximum with 24 inches.
col:: Adaisa Munguia & Pedro Gutierrez
THE DRAGON FLY, THE INFINITE SYMBOL, 2006
four panels 20" x 20"
folded drawings
The drawings were recetny redesicovered, porbably, they date from around 2004. They were sudden exploration of form in a folded piece of thin vellum with oilstick and trupentine, done just to kill anxiety and time. 
col:: Adalberto Adame
col:: Adalberto Adame
side tracking on old ideas
The "welcoming turtle" comes alive.
C:: Henry Lange
All the characters become sculptures in iron. The working drawings, burnt and painted,hang behind.
C:: Irene and William Audet
"the reptile", PRIDE, SERENITY AND CONFIDENCE, 2007, 48" x 36"
character based on Baja California's cave paintings.
by the marina
With the intention to go larger in scale, here is a fishing boat by the marina floating on the calm waters. Interpretation of the buyers but the previous pieces had conceptually shaped the rectangular form as a "boat". Also, this composition originated with a drawing of one of the characters, the turtle, of the cave paintings I tried to explore.
Collection: G & G Horning
using the remanents of the local land/seascape
The composition structure of the previous paintings shifted from two elements, side by side, to one body taking all the attention. Maybe a result of the brief explorations in rectangular formats. Or maybe due to a a small angle shift in the perspective. From looking in between two, no the focus is on the personality of one.
URCHING IN PINK, 2007, 12" x 12"
The precedents, brief assemblage gestures with found objects and minimum paint, 5" x 10" and 5" x 4".
Brief assemblage gestures with found objects and minimum paint.
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