Oil paintings on "caobilla" thin plywood measuring 36 by 36 inches.
HOUSE WITH RED ENTRANCE, 2007, 36" x 36"
HOUSE WITH GREEN TREE, 2007, 36" x 36"
HOUSE WITH FRUIT TREE, 2007, 36" x 36"
BUNKER, TREE AT BALCONY, 2007, 36" x 36"
architecture...Bunkers and Houses
PATTERNS OF MOTION
Repetitive forms in drawing and painting. Various dimensions, maximum with 24 inches.
col:: Adaisa Munguia & Pedro Gutierrez
THE DRAGON FLY, THE INFINITE SYMBOL, 2006
four panels 20" x 20"
folded drawings
The drawings were recetny redesicovered, porbably, they date from around 2004. They were sudden exploration of form in a folded piece of thin vellum with oilstick and trupentine, done just to kill anxiety and time. 
col:: Adalberto Adame
col:: Adalberto Adame
side tracking on old ideas
The "welcoming turtle" comes alive.
C:: Henry Lange
All the characters become sculptures in iron. The working drawings, burnt and painted,hang behind.
C:: Irene and William Audet
"the reptile", PRIDE, SERENITY AND CONFIDENCE, 2007, 48" x 36"
character based on Baja California's cave paintings.
by the marina
With the intention to go larger in scale, here is a fishing boat by the marina floating on the calm waters. Interpretation of the buyers but the previous pieces had conceptually shaped the rectangular form as a "boat". Also, this composition originated with a drawing of one of the characters, the turtle, of the cave paintings I tried to explore.
Collection: G & G Horning
using the remanents of the local land/seascape
The composition structure of the previous paintings shifted from two elements, side by side, to one body taking all the attention. Maybe a result of the brief explorations in rectangular formats. Or maybe due to a a small angle shift in the perspective. From looking in between two, no the focus is on the personality of one.
URCHING IN PINK, 2007, 12" x 12"
The precedents, brief assemblage gestures with found objects and minimum paint, 5" x 10" and 5" x 4".
Brief assemblage gestures with found objects and minimum paint.
in proximity CSL
The continuity of this series and the presence of new surroundings, a growing town by the sea--Cabo San Lucas, brings back found materials (abandoned in 1998)into the composition. All collage and oil on plywood, 12" X 12".
2006 collection: John Miller
2006 collection: G & G Horning
windows 12-05
These pieces are part of the work that develop the "in proximity" series. The two adjacent shapes start to define. The are oils of 15 cm by 15 cm in 1/2 inch plywood.
C:: Tica Alvarez
C:: Tica Alvarez
C:: Tica Alvarez
Artist collection
daily still lifes, 2005
Small oils on plywood (4 by 6 inches) reflecting upon breakfast time and the necessary igredients and gadgets to enjoy it.
C:: Kim Brockinton
C:: Daniel Rubin
in proximity
a series of oil paintings on 3/4 plywood measuring 30 x 30 cm. They emerged from the exploration of color lines that recapture my textile tradition, looms, warps, plaids. 
private collection
private collection
2004 collection: Jeff Frank
2005 collection: George & Ginny Horning
2005 collection: Joy Moser
2005-2006 collection: John Miller
the origin of "in proximity"
Three of many small explorations, measuring around 3 by 5 inches, later becomes "the painting" a blue print for the series "in proximity".
2004 collection: Scott Howe
2004 collection: Daniel Serig
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